Although the summer festival “access Point” has a residence in St. Petersburg, to be his audience now can be done from any point of the Earth: this is the first festival, all the performances are done in the network and for the network. Despite this, the “Marriage” Pop-up theatre seemed to alle Senderovas full performance.The whole flow of online performances (it’s not about broadcasting, and that came out during the quarantine) until almost nothing to select. Except that the “Fairies” — an online remake of an old play, “the Seventh Studio” monologues which re-recorded by the same participants, now artists of the “Gogol-center”. And Director Ilya Shagalov so they were edited, with special effects and a desert between Moscow and Berlin that it was a great video.There are still ten “9 moves” — a joint production Stefan Kaegi, “the Impresario” and Mobile art theater — they are one of the leaders of “Rimini Protocol” provides a set of simple steps that help to step away from cyberspace and back to his house, looking at it in new ways.Stand out “At a distance” Elena Reshetnikova and “Hello!” Boris Pavlovich, for which you do not look at the screen, and communicate with an unfamiliar voice on the phone: in both plays there are different scenarios, but the conversation is constructed so that the stranger is a loved one, emotional contact is almost inevitable.By the way, the performance on the phone is a long — standing know-how all the same group “Rimini the report”. 12 years ago in Moscow at the NET festival showed “Call Cutta in a box”. And at the end of June in the program of the current “hotspot” will be a new version — “Call Cutta at home”. This time to talk to the performer can be from the comfort of home.The first two online of the play, shown in “access Point”, look until later. Setting Vlad Biology, parodying the genre of melodrama and traditional theatre and is called “Draft”. In the play “Cloudme” Maria Patsyuk and Nicholas Mulukova where casual spectator gains access to the computer and the performer can open and even destroy everything, it was boring and embarrassing at the same time: there is no “compromising” is not found, the content survived, but the owner of the computer crying like during a search.In the “Marriage” of Alexander Seeds on the play ASI Voloshin is also the interpretation of what is called “new ethics”. But Voloshin is trying to predict its consequences.All that the spectator understands not at once: first, we find ourselves in the Same e, where, in contrast to the majority of online Premier, the viewer is not allowed to become a part of his sound and the camera is turned off. On the left of the screen — two Windows. They — she, Nora (Alena Starostina), and he, Misha (Ivan Nikolaev). The right search engine Google and the file in which someone makes notes on a course of action. Apparently, today is the neophyte, looking for all Padred — from the definition of evolution according to Lamarck to the biography of Mandelstam and meaning of the word “camp”. In the upper right corner appear collages: stairs of Lamarck next to the famous entrance to the KGB building on Lubyanka square.Former classmates of Alexander, St. Petersburg actors Starostin and Nikolaev, known for the productions of Dmitry Volkostrelov young, but otherwise the virtuoso will not name them. At first it seems that they play themselves in real time. Nikolaev’s face brightens at the sight of your partner, and she elegantly flirting, sipping champagne. Only obmalloc can understand that it happens in 2035-m, Zoom has long been a relic, just like the app Tinder, where, during a pandemic 2020, the met the heroes.Soon humanity so far stepped forward, having sex only sterilized individuals in the “lower world”, the “top” get pure pleasure with a signal in the amygdala.Utopian worlds in which carnal pleasures, indulge in a dirty creature appeared before — take, “iPhuck 10” Pelevin. But Asya Voloshina was the first who put into the mouth of the character is not a parody, but a very compelling monologue about why humanity has overcome nature, always leading to intraspecific hatred.Paid Medievalist Mike convincing on this one. Strange only, that on a date with a woman whom he is sent away to a hospital (but otherwise: watered and forced him to “old sex”), he captured 75 “filtered mode” — whether the profiles of former users Zoom, or bots. Their roles get audience: female and male “modes” vote, answering a question about male and female.From the responses to my play should be, that we really come to where Mike was with Nora. Where Nora escapes a woman’s way. Forever saying goodbye to her husband, she abruptly turns off his screen. But unknown to the user fumbles to Google, ordering the delivery of food.And if in the finale you find that this is the same hole that a hundred years ago escaped from “a Doll’s house” Ibsen, you’re right. However, the play Voloshin has just written her meanings, compressed, as the file large format, just beginning to open.
