Lyudmila Roscovan was born in 1938. When she was 23, had graduated from the Studio of the Moscow theater of the Lenin Komsomol. Calling to stage performances, she felt even then, and in 1965 he received a diploma from the directing Department of the Moscow Institute of culture. The idea of creating his own Studio arose later, in the 1970s. By the time Roscovan was an experienced actress and Director knew her well and the audience and critics, she has worked in many theatres of the capital.
a while Lyudmila Romanovna led the drama club at the House of culture of the plant “Red star”. In 1974 this band rose Studio theatre with a straightforward name of “Man.” Why so Roscovan once told the theater critic Natalia Catimini. It’s not the famous quote by Maxim Gorky, he said:
Lyudmila Romanovna was interested in the works of Tadeusz Różewicz, Vladimir Mayakovsky, Slawomir mroczek. Their plays often appeared in the repertoire — and it wasn’t what you wanted to see the governing bodies of Amateur. Performances of “Vladimir Mayakovsky”, “At sea”, “File” was banned shortly after the Prime Minister. The same fate befell the “Requiem for harmonica” Enna Vetemaa.
And the very Roscovan tried to release from his position in 1978 and 1982. Both times the team has made for its recovery.
mostly In the Studio theater performances were staged, posed her, but she often gave a platform to budding professionals. In 1983, on the stage of “Human” showed “Immigrants” mroczek, the show was created by the students of the School-Studio MXAT. The work was undertaken by Roman Kozak.
However, the division of Amateur art was unhappy. This prompted the Studio theatre on the existence of almost illegal — prohibited performances began to play in the basement. “Man,” became an underground theater.
How “Man”. All about the theatre, from which came Brusnikin, the Zhenovach and zolotovitski
that All changed in the years of perestroika. “Man” became a fashionable place in Moscow theatergoers conspiratorially reported visiting friends that it is necessary to visit. He was attracted by the boldness and novelty of views, the themes of the plays.
In 1987, the “Man” has received the official status, then he became a private house in the center of Moscow, near the Arbat.
the building in Skatertny lane was previously stable, it should have been put in proper form. This personally worked Roscovan and its artists. Had a lot of hard work, but nobody’s refusal��remained — his home was worth it. Then at the disposal of the theatre gave the basement in the building across the street.
Began touring not only the country but also abroad. Entertainers visited the USA, Italy, UK, Finland, Switzerland, Argentina, France, the list goes on.
Lyudmila Roscovan worked all the time, forgetting about everything — she was a theatre. It opened Directors, Roman Kozak, Sergey Zhenovach — believing in them, giving them a chance. Kozak made his debut with Cinzano Ludmila Petrushevskaya, the Zhenovach has put “Maiden” Nina Sadur.
In 1990, came Roscovan the show “Striptease” in Mrauku with Valery Garkalin and Alexander Andrienko. The show has become one of the main cultural events of the year. Three years later, Lyudmila Romanova, was awarded the title of honored worker of arts of Russia.
Among her performances, which loved most of the audience was “Insecticide” by Sergei Bodrov and Hanna slutzky, “Prayer” Fernando Arrabal, “Night vigils” Bonaventure and others. Some of the performances of Ludmila Roscovan remain in the repertoire, and now — “Insecticide”, “Zigzags”, “Winter under the table”.
To the last day of Lyudmila Romanovna was President of the “Person”. She died 20 may, she died after a long illness.
