Here it is — the first (I’d like to hope that last one) totally quarantine the hit parade. In April of socially responsible music fans had to sit at home and to satisfy your musical hunger remotely. And artists are struggling trying to provide them with abundance, based on their relationship to everything going on.
the Genre formerly known as “in the morning newspaper, evening in verse”, it seems to have been washed, but as soon as in the life of the people had something like a global force majeure, the musicians immediately rushed to Spud the agenda. And simultaneously perked up as rock legends such as Neil young or Michael Stipe from R. E. M. they and of Boris Grebenshchikov and the different youth. The author’s range is impressive: from light sadness to postreverse aftereffect, inspired from verses to lines, which sometimes requires translation, even if they are in Russian. And it all seems to be alive with a gleam in his eyes, even if, as reports I got, unfortunately, in the charts group of “Underground”, “Ha-ha-ha, we’re all going to die after the virus, with the ruble.”
It would be wrong to say that all April charts is mired in a quarantine of the depression, however, has in it tokens which unmistakably point to the “here and now”. Suplinovski “Harry Potter” and “Russian spring” from “DDT” is not about the virus or quarantine (Shevchuk first performed “Spring” more in 2015), but right now, after I cancelled our daily urban action, a little bit hearing the audience can focus on what’s already there, just not enough time. And two essays on the topic of the day with all these “the boy said — the king is naked” and “Sochi in the clouds, FSO in the bushes” suddenly sounded in full force. For effect essay Vasiliev should be served with dessert in the form of a bonus from Andrey Makarevich as a response to the song of the leader “the spleen”, and “Russian spring” certainly with the clip, where our signature Russian htone so much that it breaks through the tiles with new sidewalks.
Totally different sound and “Pay for tech”, three years ago the hit group “Bread”. In version pop craftsmen of Cream Soda and with a clip where there are hazmat suits and dancing on the balcony, the song suddenly became the anthem of missed opportunities for all who at least sometimes consider themselves Ravers. Such alterations can be called a project, with almost rustic cooled completely cold heart and a commercial mind, but this is the spoon, which is good to submit in time for lunch.
“Between Us Quarantine” from the band called Riga Live does not really fit into the framework of the pop song, because the music here is not enough even by modern, simplistic songwriting standards. But how viral videos work perfectly. Here the chorus about Karantin, and a clear desire to laugh, and something like a dance challenge. Noble Riga architecture provides a kind of contrast with all this concentrated dope, and the final product is quite competitive. At least for a month.
In the video “I Flew” on a new track Ani Lorak people important enough instead beautiful sea views, but the song itself to modern realities is not irrelevant. Ani again seeks to perfect pop music with a sensual melody, suffering in the eyes and impressive cleavage as tested the load-bearing structure of videohit. In such languid melakah the singer and her team apparently see great potential for the formation of a set of evergreens. Frankly, not always successful, although the beginning may look very promising.
at the same time with Ani Lorak, at least in ideological terms, and absolutely against all the sobs, techno performers are Emin and Jony. They are also trying to captivate the audience with the fundamental hit, unobtrusively embellished by the exotic and clip about love and gangsters. The names of the artists of the Latin, but frankly here is only Western technology, but everything else is so clear and nicely traditionally the local audience that the song can be manifested in the potential.
In the album chart a real hero looks like crimson skies. He was silent for two years and probably many set up on the album, which is worth expectations. When the release appeared in the stream, music critics have clearly set myself a goal not to write anything about him that even remotely resembled a compliment. And that’s exactly the case when experts, in General, were absolutely right. Public excitement around the “Rules” once again gives reason to appreciate the power of bad reviews. And at the same time like the greatness of weak albums.
