she Ismailovna, was awarded the order of Francysk Skaryna, the first visit to Belarus in 1990. In recent years, none of the successful projects organized by the Tretyakov gallery was held without the participation of the Belarusian colleagues, whether the exhibition of works of Repin, Kuindzhi, or solo.
– “Nenasala” is part of the trilogy – said Zelfira Tregulova. – First part was opened in 2017, “the Thaw.” It was accompanied by an amazing catalog made by the artist Yevgeny Korneev, who prepared the catalogue and the exhibition “Ninesigma”.
Future exhibition includes eight thematic sections: “Ritual and power”, the “Sots art”, “Religious mysticism”, “Village”, “Childhood”, “Community”, “History and stopped time”, “Disappear.” Will feature more than 500 works of painting, sculpture and graphics from Russian and foreign collections, as well as fragments of films, performances, archival materials.
she Ismailovna, tell me, what is the concept of the exhibition?
Zelfira Tregulova: the Era of stagnation is synonymous for many with something gray and dull. In fact it is not. Then, in the absence of external freedom was binge reading millions, and those who knew foreign languages, had access to the intellectual Luggage of the entire era. Our project continues to struggle with the authorities. Now there is a distance with which allows you to look at it more closely. The exhibition did a young team with a fresh and unbiased opinion. The most important component of our exhibition catalogue. It is made subtly and interestingly, it presents articles by leading critics and art historians of different generations. They analyze the era of “inside” and “from”. From may 18, directory for sale in our online store gallery. We also launched an online ticket with an open date to visit the exhibition. The Tretyakov gallery, and was not going to abandon large projects.
Educational website “Lavrus” tells of the artists whose works can be seen at the exhibition “Ninesigma”. These are artworks of Tatiana Nazarenko, Ilya Kabakov, Vitaly Komar, Alexander Melamid, Viktor Pivovarov, Viktor Popkov.
Viktor Popkov, like his great contemporaries Yuri Trifonov, Valentin Rasputin and Vasily Shukshin, had always maintained a high moral stance in his work. Once he’s wearing wartime uniforms of his father, who died in the forty-first at Smolensk, and wrote to her. The picture is entitled “the Overcoat father”. She had a great influence on Belarusian artists, who wrote about the great Patriotic war.
